About Circa

Circa is an online journal dedicated to contemporary art and its practices, seeking to chronicle significant events of the moment and to create an informed network of committed readers and contributors in Ireland and beyond.

Circa Board and staff

John Nolan (Secretary), solicitor, Dublin
Brian Redmond (Acting Chair), accountancy expert, Dublin
Tim Stott, critic, Dublin
Mary Cremin, curator, Dublin
Audrey Brennan, arts consultant, Dublin

Contributing Editors

Luke Gibbons (Dublin), Brian Kennedy (Belfast)

Editor:  Peter FitzGerald

Administrator:  Barbara Knezevic

Interns

Circa has a very lively and successful interns programme. We are always looking for new candidates. If you would like to learn more, click here.

Circa Procedures: some Qs and As

Who decides what gets published online?

The editor. If you are interested in writing for Circa, please contact the editor, indicating what areas you would like to write about. You can also submit a text. Note that texts are expected to develop a critical argument; for example, in the case of a review, what is it about this particular show - rather than some other artist's work, perhaps dealing with similar themes - that makes it important to write about?

Does Circa pay for published work?

We currently pay a token amount for reviews and articles that we commission.

Is there a house style?

Yes - please see here.

I want to have a show / event / book reviewed in Circa - what do I do?

Bring it to the attention of the editor.

I want to have my forthcoming show listed in Circa...

We do online listings - go here. Send information about your art event to us here.

The structure of Circa

Founded in 1981, Circa Art Magazine Limited is a not-for-profit company incorporated in Northern Ireland.

The magazine's longer-term goals and procedures are the responsibility of the Circa Board, whose membership changes regularly. Board membership is by invitation.

Day-to-day running of the magazine is the responsibility of the editor and the administrator, both based in the Dublin office.

Circa is financed through three main sources: the Arts Councils, north and south; sales; and advertising.




History

Cover of the first issue of Circa
The cover of the first issue of Circa, November / December 1981; full contents here

In May 1981, a poster was circulated in Northern Ireland which was headed 'Do you really have a future in art'. It was the brainchild of Art and Research Exchange, a new artists grouping in Belfast who wished to reinvigorate what they saw as a languishing visual-arts scene in Northern Ireland.  A few meetings and a few months later, the first issue of Circa appeared, a direct result of ARE's initiative.

Circa quickly gained the support of the Arts Council of Northern Ireland and then of the Arts Council of Ireland. Thematically, the early years of the magazine revolve very broadly around issues of identity - eg, Belinda Loftus on 'Mother Ireland and the troubles: artist, model, reality' in the first issue, or a panel discussion of the book Ireland, a week in the life of a nation in issue 30. However, a pattern is also set up of great diversity in what is written about, from lofts in New York to ennui in Craigavon. As Medb Ruane notes in her review in 2002 of the first 99 issues of Circa, there is a drift from some sort of essentialist approach to art in Ireland to issues-based art to a postmodernist relativism and globalism: "Younger generations less concerned with ideologies of race and nation, right or left, were more interested and able to develop practice in a global frame where attitudes could be played with and transformed." Very roughly speaking, the 2000 - 2010 has seen the rise of the artist-critic-curator amalgam, a trend reflected not only in the writing but also in the art written about, where a reflexive relativism is now taken for granted.

In 1992, Circa's editorial office moved to Dublin. Circa's online presence has grown very significantly over the past ten years, to the point that online 'publication' levels in 2009 approximately equalled those in the magazine itself. Traffic levels reach up to 1,000 or more unique visitors per day, and at times Circa has ranked #1 for a Google search on 'art magazine'.

The growth in online readership created a dilemma in terms of content - the informality of the web appeared to require more informal writing, but it also took energy away from the printed magazine.

Due to funding cuts and a very difficult financial environment, Circa suspended publication in 2010, to concentrate on its online presence. In October 2010 Circa published its first fully online issue, based around criticism and criticality.

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The contents of this site represent the views of the various authors and not necessarily those of the Board of Circa.