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Project: now
the Employment Appeals Tribunal
(June 14, 2001)
The Project saga
lingers on. Last Tuesday the Project and Debbie Behan, Production
Manager at Project from 1997 until last year, were due before the
Employment Appeals Tribunal in Dublin, for an action taken under the
Unfair Dismissals Act. Project cried off. However, the postponement
was allowed only on condition that Project be willing to appear 'at
short notice'.
Behan is claiming
that conditions at Project were so bad that she felt compelled to
quit her job. She is the fifth and final of the departed senior management
to seek a resolution of matters with Project. Since the Industrial
Tribunal is open to the public, the 'day in court', when it does occur,
should tell us a lot about the last year's goings on at Project.
Meanwhile, some
light on events there has been thrown by Art Monthly's second
report on the Project débacle. It reads in part:
[Valerie]
Connor was informed in November 2000 that her contact would not
be renewed...What [Director Kathy] McArdle hadn't realsied was that
this was Connor's second contract. Fearful of heavy penalties being
levied either through an Unfair Dismissal suit or for Personal Defamation,
Project backed down and offered Connor a contract as Curator of
Visual Arts. However, Connor has said that at this point matters
had moved far beyond the stage where this was a plausible option.
She opted to leave Project with an agreed settlement of an undisclosed
amount...According to Connor one good thing has come out of all
this mess: 'so many artists have shown themselves to be informed,
active and unintimidated in clearly identifying their values and
demands...'
Margaret Corcoran:
Unceremoniously folded (for Val), 2001, discarded Project
banner folded roughly in the manner of flags at American military
funerals; from Visual Art is Disposable
Art Monthly
follows this piece with a (closely related) report on 147's first
sortie, tracing 147's origins back to the initial protests and petitions
against what was happening at Project. More on those protests here,
on 147 here.
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