C100
Review: Pearl Union
Glasgow:
Pearl Union at the Mitchell Library
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Above:
Pearl Union logo; courtesy the artist
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Pearl
Union
is a new library based in Glasgow, initiated by artist Rose
Thomas and specifically aimed towards art and culture.
Thomas, working in conjunction with the Mitchell Library,
which is the main public library in Glasgow, has opened up
a space which aims to act as a conduit through existing structures.
The initial
premise for a new arts library was an awareness
of the lack of good contemporary art-related material
within the public-library system or indeed commercial
bookstores in Glasgow. As Glasgow has a young
and dynamic visual-art community, this information
deficit was something Thomas felt it was
important to overcome. While the main commitment was
the need to create a discursive space for the arts community,
Pearl Union is also interested in promoting awareness
of contemporary art amongst the general public.
Pearl
Union follows an eclectic archiving process by choosing
different people within the arts to curate a selection.
This selection of books/videos, etc., becomes the focus
point for a series of lectures and seminars.
The Pearl Union selection is then accessible to
the public in the Mitchell Library. The idea allows
Pearl Union to focus on specific things for a limited
duration and then allows this material to filter into the
main lending library. The first book and video collection
was made by Kathleen Hanna whose first band, Bikini Kill,
led the Riot Grrrl movement in the early '90s. Hanna's
interest in the collision between punk rock and feminist politics
has more recently led her to team up with the film maker Sadie
Benning and the zine editor Johanna Fateman to form Le Tigre.
Le Tigre, described as "bubblegum punk," are equally known
for engaging with the work of postcolonial feminist
Gayatri Spivak.
The series
of seminars to accompany Hanna's selection continued
the feminist discussion introduced by Hanna's selection and
included a talk by Leslie Singer, a New York-based artist
(April 20, 2002) and Trina Robbins, the American cartoonist
and founder of the Wimmin's Comix Collective (May 4,
2002). Singer was collaborator and co-producer with
Laura Cottingham for the feminist video essay Not
for Sale: Feminism and Art in the USA during the 70s,
which Hanna had chosen as part of her selection. Cottingham's
Not For Sale is an important document which selects
interviews and comments from some of the most important feminist
artists working in the States at that time. (It was
shown here as part of Somewhere near Vada, the exhibition
curated by Jaki Irvine for the re-opening of Project.) Singer's
talk was in a large, imposing room upstairs in the
Mitchell, the walls hugged by large 19th-century
shelves and cabinets full of their rare-books collection.
A section of Not for Sale was shown first and then
Singer gave an stimulating talk on some of the issues
that arose from trying to cover the multiple ways in
which feminists had engaged with the cultural dynamics.
Pearl
Union has also become the home for an interesting and
ongoing video archive called Trigger Tonic. Trigger
Tonic began in Glasgow in 1999 and is a series
of interviews between locals and artists, performers, writers,
etc., visiting Glasgow. See www.pearlunion.com
for upcoming events and to view excerpts from Trigger Tonics
archive, http://www.deadrelativist.com/a_m_finale/triggertonic_entry_index.htm.
Orla
Ryan
is an artist, writer, lecturer and curator based in Dublin.