Regular columns Update [scans] Visual Arts North [scans] Visual Arts South [scans] Film and Television [scans] Slave to the Machine [scans] Fifth Column [scans] See [scans] Feature articles Snapshots from the Armory | Elizabeth Aders [scans] CIRCA attended one of the world's most prominent art fairs, the New York Armory Show from 6 - 10 March 2003 and discovered that there is much more to art fairs than just art. Green screen | Maeve Connolly [scans] How should film-making in Ireland be supported, and what sort of films? Maeve Connolly reports on a recent event marking thirty years of funding for film by the Arts Council/An Chomhairle Ealaíon. "I don't want to be educated:I want to be drowned in beauty". | Gemma Tipton [scans] Gemma Tipton asks: what do we really want from our art museums? Theme: word and image Introduction | Christa-Maria Lerm Hayes [scans] Word and Image form a recurrent juxtaposition in contemporary art. Here Christa-Maria Lerm Hayes sets the scene for the main theme of this issue of CIRCA. Same difference: Word and image in the contemporary arts | David Scott [scans] Like an Edenic fall from grace, word and image drifted apart as society evolved. Here David Scott traces their diverging paths, and looks at artistic efforts to engage with the gap between the two. Joseph Beuys 'extends' James Joyce's work | Christa-Maria Lerm Hayes [scans] Joseph Beuys had a fascination with Joyce's writings. Christa-Maria Lerm Hayes examines here how deep the influence were. A labyrinth in a box: Aspen 5+6 | Mary Ruth Walsh [scans] Mary Ruth Wales describes a radical tour-de-force at the word/image interface. Nauman.. Beckett...Beckett . Nauman: the necessity of working in an interdisciplinary way | Christa-Maria Lerm Hayes [scans] Bruce Nauman has taken much from Beckett, who himself was very aware of issues within the visual arts. Christa-Maria Lerm Hayes explores the links between the two creative intellects. Willie Doherty: Language, imagery and the real | Paul O'Brien [scans] Words are a frequent aspects of the artworks of Willie Doherty. Here Paul O'brien explores how they function together. Words and images most severely distorted | James Elkins [scans] When the text is the genetic code, and the visual is a photograph of our galaxy, word and image can travel far-flung routes. James Elkins reports here on how the Milky Way became DNA. Reviews Limerick: EV+A 2003 | Kieran Cashell [scans] Belfast: Alastair MacLennan at Ormeau Baths | David Brett [scans] Dublin: Clare Langan at RHA | Jane Eckett [scans] Dublin: Lorna Simpson at IMMA and Laura Gannon at Hugh Lane | Roisin Kennedy [scans] Venice: Fergus Martin and Anthony Hobbs at Oratorio S. Ludovico | Sonia Rolak [scans] Belfast: Basil Blackshaw at Ulster Museum | Jim Smyth [scans] Valentia: Dorothy Cross and Tom Cross' Medusae | Sheila Dickinson [scans] Sligo: Tjibbe Hooghiemstra at Model Arts and Niland | Marianne O'Kane [scans] Cork: John Shinnors at Crawford and Vangard | Jim Savage [scans] Edinburgh: Inka Essenhigh at Fruitmarket | Dan Norton [scans] London: Live Culture at Tate Modern | Nathalie Weadick [scans] Dublin: Alice Maher in Father Matthew Hall | Isabel Nolan [scans] Dublin: Geraldine O'Neill at Kevin Kavanagh | John Turpin [scans] Derry: Resident at Context | Marianne O'Kane [scans] Cork: Losing it | Alannah Hopkin [scans] Lifford: Felim Egan | Huib Fens [scans] Letterkenny: Jan Voster | Declan Sheehan [scans] Carlow: Finola Jones | Orla Ryan [scans] Project Projekt für CIRCA | Karin Sander [scans] Untitled (tribute to MD/WK/WH) | Ecke Bonk [scans]
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