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Images from Resident; courtesy Context Gallery

 

Derry: Resident at Context

This exhibition is the result of a year-long community-arts pilot project that was delivered in the Derry City Council area. It is described by its Project Officer, Sheila Fairon, as "artists working in rural and urban locations with a variety of communiüies, which reflect a broad equality agenda." The eight participating artists and their relative disciplines were Sara Greavu - mixed media, Tracy Cullen - film making, Paul Barwise - printmaking, Todd Herman and Amanda Coslor - photography/drama/video, Odette Boal - ceramics, Denzil Browne - photography and Maolíosa Boyle - photography and mixed media.

 

Images from Resident; courtesy Context Gallery

 

The exhibition's title, Resident, reflects two aspects of this project. Quite obviously it refers to the year-long residency project. Yet it also highlights the project and exhibition's thematic brief, where the participants of all ages examine concerns such as family and personal narratives. Consequently the title also emphasises the individual's position as resident in contemporary society and the impact of personal narrative on creative endeavour.

 

Images from Resident; courtesy Context Gallery

 

This exhibition is one of the most extensive and diverse displays of art production in the Context Gallery to date. It consists of numerous installations in various media - one wall being completely obscured by screen-printed t-shirts. The adjoining wall features a line of Polaroids of young children with aspirational statements inscribed beneath each posed portrait, "I want to be a...daddy, fireman, dancer, teacher." Another wall presents a black-and-white-photo narrative sequence where participants staged socialising and overindulging . There is also a wall of framed examples of printmaking, a free-standing board featuring portrait photography overlaid with text, and several plinths of ceramics. All this is contained in the main space alone. In the gallery's auxiliary space are a series of ten lightboxes with photo-collages, again of family, two video monitors with headphones and another projector to illustrate aspects of the filmmaking workshop.

According to residential artist Odette Boal,

When working intensely with a small selected group of people it is generally preferable not to have an exhibition as a goal as it places too much emphasis on product rather than process. In this case. however, the collective initiative and diversity of endeavour enabled an exhibition that was a valuable reflection of the experience for both artists and community.

Marianne O'Kane is Curator of Cavanacor Gallery, Lifford, and Lecturer on the Boston University Internship Programme.

Resident, Context Gallery, Derry, February/March 2003

 

Article reproduced from CIRCA 104, Summer 2003, pp. 94.


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