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ISSN 0263-9475
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Issue 104, Summer 2003

Regular columns:
Visual Arts/North
Visual Arts/South
Film and Television
Slave to the Machine
Fifth column

Update

See (preview section)

Cover image: Alice Maher: Mnemosyne, installation shot; photo John Kellett; courtesy the artist (see Reviews below)

Circa video competition

Art-college life: two new Circa surveys








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Theme: Word and Image

Introduction: Christa-Maria Lerm Hayes
Word and Image form a recurrent juxtaposition in contemporary art. Here Christa-Maria Lerm Hayes sets the scene for the main theme of this issue of CIRCA.

Same difference: Word and image in the contemporary arts
Like an Edenic fall from grace, word and image drifted apart as society evolved. Here David Scott traces their diverging paths, and looks at artistic efforts to engage with the gap between the two.

Joseph Beuys 'extends' James Joyce's work
Joseph Beuys had a fascination with Joyce's writings. Christa-Maria Lerm Hayes examines here how deep the influence were.

Project: Karin Sander: Projekt für CIRCA

A labyrinth in a box: Aspen 5+6
Mary Ruth Wales describes a radical tour-de-force at the
word/image interface.


Nauman ..Beckett ... Beckett .Nauman: the necessity of working in an interdisciplinary way
Bruce Nauman has taken much from Beckett, who himself was very aware of issues within the visual arts. Christa-Maria Lerm Hayes explores the links between the two creative intellects.

Willie Doherty:Language, imagery and the real
Words are a frequent aspects of the artworks of Willie Doherty. Here Paul O'brien explores how they function together.

Words and images most severely distorted
When the text is the genetic code, and the visual is a photograph of our galaxy, word and image can travel far-flung routes. James Elkins reports here on how the Milky Way became DNA.

Project: Ecke Bonk: untitled (tribute to MD/WK/WH)

Features

The Armory Show New York 2003
CIRCA attended one of the world's most prominent art fairs, the New York Armory Show from 6 - 10 March 2003 and discovered that there is much more to art fairs than just art.

Green screen
How should film-making in Ireland be supported, and what sort of films? Maeve Connolly reports on a recent event marking thirty years of funding for film by the Arts Council/An Chomhairle Ealaíon.

'I don't want to be educated; I want to be drowned in beauty'
Gemma Tipton asks: what do we really want from our art museums?

Reviews
Limerick: ev+a 2003 Inka Essenhigh at Fruitmarket
Alastair MacLennan at Ormeau Baths Live Culture at Tate Modern
Clare Langan at RHA Alice Maher in Father Matthew Hall
Lorna Simpson at IMMA and Laura Gannon at Hugh Lane Geraldine O'Neill at Kevin Kavanagh
Fergus Martin and Anthony Hobbs at Oratorio S.Ludovico Resident at Context
Basil Blackshaw at Ulster Museum Losing it at Fenton
Dorothy Cross and Tom Cross' Medusae Felim Egan at Cavanacor
Tjibbe Hoogjiernstra at Model Arts and Niland Jan Voster at Letterkenny Arts Centre
John Shinnors at Crawford and Vangard Finola Jones in Carlow

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