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C104 review

Venice: Fergus Martin and Anthony Hobbs at Oratorio S. Ludovico

Fergus Martin and Anthony Hobbs: My paradise is here, 2003
installation shot, Oratorio S. Ludovico, Venice; courtesy the artists

We always project our own desires and tastes on art, convinced that we are being open- minded and that our judgment and perception are the result of honest, unprejudiced experience. The same applies to the creators of art, who are convinced that their precision and their absolute emotional distance from their work will get them an unambiguous result.

Yet experienced artists know that no matter how hard they try, they will have no control over the interpretation of their work, and that the best they can do is to let things happen by following their intuition and by allowing themselves to be perfectly innocent in their approach.

Now, at the Oratorio S. Ludovico in Venice, and following last year's Alistair Wilson exhibition, we can delight once again in such an attitude, which in the end provides us with more than a simple exhibition - it becomes virtually a spiritual experience.

Fergus Martin and Anthony Hobbs present a series of high-resolution photographs, a sequence of gestures inspired by the theatricality of Venetian classical and renaissance church paintings. Using the space with ability and respect, they let their performative drama merge with the architecture until it takes on the same solemn aura as we find in religious paintings.

For me the sequence begins within the second room of the church, from the image depicting the exposed centre of the human body, the navel, which is perceived in many different cultures as our 'self'. The artists juxtapose this photo with smaller ones of adult men in foetus position - the beginning of 'self' - and they finish the sequence with photographs three meters high of men acting out the folly of human drama: with gestures of desperation, meditation and abandonment. The work becomes a portrait of the emotional drama which accompanies our lives from day one until the end of it.

Sonia Rolak is an artist, art critic and curator based in Venice.

Fergus Martin and Anthony Hobbs: My paradise is here, Oratorio S. Ludovico, Venice, April 2003

Article reproduced from CIRCA 104, Summer 2003, p79.

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