Update [scans]


Regular Columns | 22 [scans] Brian Kennedy
Slave to the Machine | Michael Cunningham [scans]
Fifth Column | Janet Naclia [scans]
See [scans]

Feature articles
Superficial art | Paul O'Brien [scans]  A recent conference at Tate Britain investigated artists' relation to surface in the digital age. Paul O'Brien reports.
Ireland complex | Brian Kennedy [scans]  It's been a rollercoaster ride, but where has it landed us? Brian Kennedy reports on a recent conference in Virginia which sought to get a fix on modern Ireland.

Theme: New York
Why NY? | Gemma Tipton [scans]  To open our New York theme, writers both Irish and American scan the scene in the Big Apple. We begin with one of the theme coordinators, Gemma Tipton.
Why NY?: Money for something? | Rob Alexis [scans]  Americans are in the habit of giving money to the arts. How does that work? Robert Alexis reports.
Why NY?: Only the exaggerations are true | Sina Najafi [scans]  Cabinet is one of the biggest regarded New York Art magazines. Here Sina Najafi explains its success.
Why NY?: Twinkler | Jeanne Greenberg Rohatyn [scans]  Jeanne Greenberg Rohatyn describes how she found one Irish artist in New York.
Why NY?: History of a show | Corban Walker [scans]  Corban Walker describes his winding road to getting a show in New York.
The art market in New York: some thoughts on venture capitalism | Megan Johnston [scans]  If you can make it there, you can... Megan Johnston explains the rules.
Whispering architecture | Gemma Tipton [scans]  Does size matter? No it's how you use it. Gemma Tipton is amazed at Dia:Beacon.
Behind the eight ball | Allyson Spellacy [scans]  Allyson Spellacy takes a look accross the river...
Monumental | Paddy Johnson [scans]  Paddy Johnson takes a look at architecture, memory and an intruiging icon of 'Irishness'.
In print | Keane A. Pepper [scans]  Who's reading who's writing about whose art? Keane A. Pepper turns the page of what's happening.
In the shadow of the World Trade Center | Elizabeth Aders [scans]  Liz Aders looks at the survival of art on Wall Sreet and thirty years of contribution by the LMCC.

Project
Mark Orange: from Untitled (24HRS.) series 2002-2003 | Mark Orange [scans]

Reviews
New York: The American effect | William Powhida [scans]
New York: H2oat Danese | Laurence Hegarty [scans]
Venice Biennale: Katie Holten | Fiona Kearney [scans]
Venice Biennale: Wales and Scotland | Nathalie Weadick [scans]
Venice Biennale: technology | John Gerrard [scans]
Belfast: Golden Mile | Ruth Jones [scans]
Dublin: Mary Kelly at Royal Hibernian Academy | Catherine Lyons [scans]
Belfast: One Place Twiceat Golden Thread | Julie Bacon [scans]
Dublin, Cork, Sligo: Outsider Artin Ireland | Peter Haining [scans]
Limerick: Padraig Cunningham at Beltable | Paul Aherne [scans]
Dublin: Dan Shipsides at Temple Bar | Alan Phelan [scans]
Belfast: Conor McFeelyat Ormeau Baths | Julie Bacon [scans]
Dublin: Garrett Phelanat Pallas Heights | Declan Long [scans]
Dublin: Gary Hume at Irish Museum of Modern Art | Damien Duffy [scans]
Dublin: Spiritusat Douglas Hyde | om lekha [scans]
Blanchardstown: Rita Jokiranta at Draíocht | Emma Donaldson [scans]
Leeds: Liadin Cooke at Henry Moore Institute | Padraig Timoney [scans]
Belfast: Connor Caffrey at Golden Thread | Gregory McCartney [scans]
Limerick: Brian Kennedy at Limerick City Gallery | Sean Taylor [scans]
Dublin: Bridget Riley | Tanya Kiang [scans]
Dublin: Eugenio Percossi | Gemma Tipton [scans]
Blanchardstown: Dara McGrath | Justin Carville [scans]
Derry: Patrick Bradly and Peter Hughes at Context | Damien Duffy [scans]
Cork: Nigel Rolfe at Crawford and St. Finn Barre's | Mark Ewart [scans]
Dublin: Axel Boesten at Gallery of Photography | Declan Sheehan [scans]

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