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ISSN 0263-9475
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Issue 105, Autumn 2003

Regular columns:
Visual Arts/North
Visual Arts
South
Film and Television
Slave to the Machine
Fifth column

Update

See (preview section)

Front cover: Michael Heizer: North, East, South, West, 1967/2002, installation view at Dia:Beacon; photo Tom Vinetz; courtesy Dia Art Foundation; gift of Lannan Foundation

 


Theme: New York

Why NY?
To open our New York theme, writers both Irish and American scan the scene in the Big Apple. We begin with one of the theme coordinators, Gemma Tipton.

Why NY?: Money for something?
Americans are in the habit of giving money to the arts. How does that work? Rob Alexis reports.

Why NY?: Only the exaggerations are true
Cabinet is one of the best-regarded New York Art Magazines. Here Sina Najafi explains its success.

Why NY?: Twinkler
Jeanne Greenberg Rohatyn describes how she found one Irish artist in New York.
Why NY?: History of a show
Corban Walker describes his winding road to getting a show in New York.

The art market in New York: some thoughts on venture capitalism
If you can make it there, you can...Megan Johnston explains the rules.

Whispering architecture
Does size matter? No, it's how you use it. Gemma Tipton is amazed at Dia:Beacon.
Behind the eight ball
Allyson Spellacy takes a look across the river...
Monumental
Paddy Johnson looks at architecture, memory and an intriguing icon of 'Irishness'.
In print
Who's reading whose writing about whose art...? Keane A. Pepper turns the pages of what's happening.
In the shadow of the World Trade Center
Liz Aders looks at the survival of art on Wall Street and thirty years of contribution by the LMCC.
Project: Mark Orange: from Untitled (24 HRS.) series 2002-2003

Features

Superficial art
A recent conference at Tate Britain investigated artists' relation to surface in the digital age. Paul O'Brien reports.
Ireland complex
It's been a rollercoaster ride, but where has it landed us? Brian Kennedy reports on a recent conference in Virginia which sought to get a fix on modern Ireland.

Reviews

New York: The American effect
New York: H2o at Danese
Venice Biennale: Katie Holten
Venice Biennale: Wales and Scotland
Venice Biennale: technology
Belfast: Golden Mile
Dublin: Mary Kelly at Royal Hibernian Academy
Belfast: One Place Twice at Golden Thread
Dublin, Cork, Sligo: Outsider Art in Ireland
Limerick: Padraig Cunningham at Belltable
Dublin: Dan Shipsides at Temple Bar
Belfast: Conor McFeely at Ormeau Baths
Dublin: Garrett Phelan at Pallas Heights
Dublin: Gary Hume at Irish Museum of Modern Art
Dublin: Spiritus at Douglas Hyde
Blanchardstown: Rita Jokiranta at Draíocht
Leeds: Liadin Cooke at Henry Moore Institute
Belfast: Connor Caffrey at Golden Thread
Limerick: Brian Kennedy at Limerick City Gallery
Dublin: Bridget Riley
Dublin: Eugenio Percossi
Blanchardstown: Dara McGrath
Derry: Patrick Bradley and Peter Hughes at Context
Cork: Nigel Rolfe at Crawford and St. Finn Barre's
Dublin: Axel Boesten at Gallery of Photography


Art-college life: two new Circa surveys




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