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Autumn 2004- Newtownards: Mary Modeen

Review C109


Mary Modeen: Convex ; courtesy Ards Arts Centre


...Ahriman's influence is towards the world of matter, to encourage intellectual thinking without the relationship to human being, towards rigidity, production of formulae, technology. 1


Walking into Ards Arts Gallery, one is immediately met with paraphernalia once considered to be essential elements of folk life. Mary Modeen's exhibition, Patterns of all our Days , is intended as a tribute to the communal traditional activities of an older generation. The smithy, fisherman and matriarchal quilting circle played roles in a pattern that provided a place for everyone in a society where everyone knew their place.

Modeen plays on these perceived roles, quietly subverting them by incorporating lace into fishing netting in Escape and replacing utilitarian brass on a leather harness with decorative glass in Necklace . Once useful objects have been reduced to curios from an existence no longer commercially viable.

Angela Darby  is an artist and curator of Fullyformed Projects.

1 Roy Wilkinson, Man's Adversaries , 1981

Mary Modeen: Patterns of all our Days , Ards Arts Centre, Newtownards, April 2004

Article reproduced from CIRCA 109, Autumn 2004, p.79

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