Editorial | Peter Fitzgerald Update Obituary Feature articles Dorothy Cross and the Art of Dispossession | Robin Lyndenberg Mining a Quarry: Stabat Mater by Dorothy Cross | Brian Hand The Multitude: Republic of Ireland and Northern Ireland at the 2005 Venice Biennale | Declan Long As Venice once again beckons, there's a new kid on the canal: Northern Ireland. Declan Long looks here at what both parts of Ireland will be offering at this year's Biennale. Disciplining the Avant Garde: the United States versus the Critical Art Ensemble | Gregory Sholette In the United States, one private tragedy last year triggered an Orwellian chain of repressive official responses. In this article, Gregory Sholette describes the dynamic that may now characterise the American state and its attitude to artist-led 'political' intervention. Portraiture and Social Context - A Case Study | Maggie Deignan The exhibition of a portait of a convicted killer in Dublin in 2003 was held to be offensive by many, Maggie Deignan examines the context and the reactions. Reviews Carlow: The Institute of Potential, Art and Failure | Gemma Tipton Derry: Jacqueline Saloum at Void Gallery | John Matthews Letterkenny: Caroline McCarthy: WindowWall | Declan Sheehan Limerick: ev+a | Maeve Connolly Clonmel: Ann Mulrooney and Ciara Healy at STAC | Pauline O'Connell Herzliya: The Belfast Way at Hezliya Museum of Art | Cherry Smith Dublin: Isabel Nolan at Project | Ciara Healy Dublin: Madeleine Moore at Pallas Heights | Tim Stott Dublin: Mark Manders at Irish Museum of Modern Art | Caoimhín Mac Giolla Léith Belfast: Cahal McLaughlin at Catalyst | Sarah McAvera London: Mairéad McClean at University of Greenwich | Chris Townsend Limerick: Mark O'Kelly (and Sarah Pierce) at Limerick City Gallery of Art | Ciara Finnegan Limerick: Mark O'Kelly at Limerick City Gallery of Art | Niamh Ann Kelly Dublin: Royal Art Lodge at Douglas Hyde Gallery | David Godbold Art Spiegelman: In the Shadow of No Towers | Jessica Scarlata Belfast: Visonic at Ormeau Baths Gallery | Fergus Kelly Cork: Visual Practices across the University at Lewis Glucksman Gallery | Martin McCabe
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