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ISSN 0263-9475
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CIRCA 112, Summer 2005

Editorial

Update + obituary

Front cover: Mark O'Kelly: New Amsterdam, oil on linen, 2004

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Feature articles

Dorothy Cross and the Art of Dispossession

Mining a Quarry: Stabat Mater by Dorothy Cross

The Multitude: Republic of Ireland and Northern Ireland at the 2005 Venice Biennale
As Venice once again beckons, there's a new kid on the canal: Northern Ireland. Declan Long looks here at what both parts of Ireland will be offering at this year's Biennale.

Disciplining the Avant Garde: the United States versus the Critical Art Ensemble
In the United States, one private tragedy last year triggered an Orwellian chain of repressive official responses. In this article, Gregory Sholette describes the dynamic that may now characterise the American state and its attitude to artist–led 'political' intervention.

Portraiture and Social Context – A Case Study
The exhibitionof a portait of a convicted killer in Dublin in 2003 was held to be offensive by many Maggie Deignan examines the context and the reactions.

Reviews

Carlow: The Institute of Potential, Art and Failure
Derry: Jacqueline Saloum at Void Gallery
Letterkenny: Caroline McCarthy: WindowWall
Limerick: ev+a
Clonmel: Ann Mulrooney and Ciara Healy at STAC
Herzliya: The Belfast Way at Hezliya Museum of Art
Dublin: Isabel Nolan at Project
Dublin: Madeleine Moore at Pallas Heights
Dublin: Mark Manders at Irish Museum of Modern Art
Belfast: Cahal McLaughlin at Catalyst
London: Mairéad McClean at University of Greenwich
Limerick: Mark O'Kelly (and Sarah Pierce) at Limerick City Gallery of Art
Limerick: Mark O'Kelly at Limerick City Gallery of Art
Dublin: Royal Art Lodge at Douglas Hyde Gallery
Art Spiegelman: In the Shadow of No Towers
Belfast: Visonic at Ormeau Baths Gallery
Cork: Visual Practices across the University at Lewis Glucksman Gallery

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