Alice Maher; Rood, installation view, Green on Red Gallery, 2005 ;courtesy Green on Red Gallery

Editorial | Peter Fitzgerald
Update | Letters   21

Feature articles
What is my nation? Who talks of my nation? | Declan Sheehan
Venice | Colin Darke
Pryd maer Ddraig yn codi... When the dragon wakes... | Rachael Thomas
Art of the encounter: Antagonism and Relational Aesthetics | Claire Bishop
Response to Claire Bishop' s paper on Relational Aesthetics | Grant Watson
Jaki Irvine: A retrospective | Cherry Smyth
Suturing the aesthetic and the political - multiple screens, multiple realities: An interview with Isaac Julien | Áine O'Brien
Soul-searching and soul-selling: the new accountability in the arts | Pauline Hadaway

Reviews
Belfast: Perspective 2005 | Tim Stott
Prepossession | Brian Kennedy
Carlow: Cornelia Hesse-Honnegger Heteroptera: images of a mutating world | Martin McCabe
Cobh: Julie Bacon: A hymn for travellers and the absent | Alannah Hopkin
Derry: Ciarán Ó Dochartaigh: Musicpula T2, MO, NO | Damien Duffy
Dublin: was du brauchst | Noel Kelly
Alice Maher: Rood | Sheila Dickinson
Heather Allen and NS Harsha: Mural | Colin Graham
Galway: Ronnie Hughes, Formacopia | Gavin Murphy
Kells/ Wales: Strata | Anne Price-Owen
Linz: Ars Electronica | Paul O'Brien
Sligo: Site-ations International 2005/6: Sense in Place, Ireland | Sarah Browne
Venice: The long weekend | Valerie Connor
Venice: Northern Ireland at the 51st Venice Biennale | Francesca Bonetta
Venice: Pavilion of the Republic of Ireland | Alenka Gregoric
Brian Wilson: An art book | Maria Fusco

Project:
Andrew Dodds

 

 

Issue 114: Winter 2005

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  Cover image: Sandra Johnston, performance still, Venice, 2005;




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