Marina Abramovic performing Joseph Beuys' How to explain pictures to a dead hare, 1965 at the Solomon R. Guggenheim Museumon November 13, 2005 photo Kathryn Carr; © and courtesy the Solomon R. Guggenheim Foundation, New York Editorial | Peter Fitzgerald Update Letters | Feature articles Some sonic activity | Mark Garry Vox pop: Does music influence your practice? Self-confident but self-questioning: A quick look at the Scottish art scene | Alan Phelan Without you there isn't anything : Patrick Ireland in an interview with Gemma Tipton | Gemma Tipton Reviews Belfast: Ian Charlesworth: The subjects | Siobhán Mullen Carrick-on-Shannon: Trade | David Dobz O'Brien Cork: Peripheral visions | Seán Kelly Cork / Kilkenny: Designing Ireland: A retrospective of kilkenny design workshops, 1963-1988 | Linda King Derry: Anne Tallentire: Drift: diagram VII | Declan Sheehan Derry: Damaged collateral: Inner city gothic and the suburban sublime | Slavka Sverakova Derry: Simon Starling: C.A.M. | Damien Duffy Dublin: Moore Street lending library | Sarah Pierce Dublin: Fiona Mulholland: For every action... | Seán Kissane Dublin: Paul Seawright: Invisible cities | Anthony Downey Dublin: Paul Doran: Gislebertus told me | Eimear McKeith Dublin: Liam O'Callaghan: Chaos and dreams yet to come | Gemma Tipton Dublin: Nina Canell: We woke up with energy | Declan Long Galway: Alan Phelan: GB and the western world | Gavin Murphy Limerick: Breda Lynch: Dark brides and silent twins | Fergal Gaynor Lyon: Lyon biennale 2005: Experiencing duration | Jason McCaffrey New York: Marina Abramovic Seven easy pieces | Will Pollard New York: Dorothy Cross: Foxglove, digitalis purpurea | Tim Maul Margaret Dikovitskaya: Visual culture: The study of visual culture after the visual turn | Joan Fowler Third Text Ireland special issue | Tim Stott Project Manhole covers | Chen Jiale
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