Marcel van Eeden: from The Archaeologist - the travels of Oswald Sollman; courtesy Chadha Art Colletion/ Wetering Galerie/ Galerie Zink/ Draíocht

Editorial | Peter FitzGerald
Update

Feature articles
Artist-writers, writer-artists: An anonymous vox pop  How do artists who also write about art think and feel about working in those two differing domains?
Space, time, and a house by the sea | Vincent Honoré   An interview with Laura Gannon, whose recent work explores Eileen Gray's E.1027
James Coleman: Absent works | Chris Clarke   Two extraordinary takes on site-specificity
"2, 3, 4..." Garrett Phelan | Graham Parker   An examination of the artist's recent output
Who makes place? Architecture and public sculpture (whose job is it anyway?) | Gemma Tipton   The new Anthony Gormley commission prompts speculation on the role of 'signature' sculpture
Postcards from everywhere | Peter FitzGerald  A look at a Circa competition
Letter from St Louis | Sydney Norton  Art in a city with some remarkable demographics

Reviews
Antrim: Sandra Kerr: Pain in the neck | David Hughes
Belfast: Belfast 3-13 September 2007 | Slavka Sverakova
Belfast: The double image | David Hughes
Berlin: Art fairs in Berlin | David Ulrichs
Birr: Synesthesia sat | Jason McCaffrey
Cork: Cicada | Elaine O'Sullivan
Cork: Radio ON
Dublin: Play safe: Battlefields in the playground | Tim Stott
Dublin: Ronan McCrea: Medium (the end): Medium (upside down) | Tim Stott
Dublin: Marcel Van Eeden: The archaeologist - the travels of Oswald Sollmann | Chris Fite-Wassilak
Dublin: Karl Grimes: Dignified kings play chess on fine green silk | Sherra Murphy
Dublin: Alice Maher: Bestiary | Jennie Guy
Galway: Women war photographers | Aileen Blaney
Kassel: Documenta XII | Fergal Gaynor
Limerick: Michael Minnis: Here, and nowhere else | Karen Normoyle-Haugh
Linz: Ars electronica | Paul O'Brien
London: Mamma Andersson | Cherry Smyth
Venice: Sophie Calle: Prenez soin de vous | Susan Thomson
Wexford: Mary Ruth Walsh: Still life | Gemma Tipton
Book: Critical mess: Art critics on the state of their practice | Brian Curtin

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