Issue 91, Spring 2000
Available from our Belfast office

cover image: Michael Parekowhai: The Barefoot Potter Boy's Brigade, 1999

Regular columns:
Visual Arts/North
Visual Arts/South
Film and Television
Slave to the Machine
News bits

 

Features
Shirley MacWilliam: Noise, silence, and the persistence of sound in several cities
Explores the material of sound and silence through a number of curious cultural manifestations.

Kevin Whelan: Enigmatic, eclectic, exotic, fugitive, secretive: on Aloysius O'Kelly
A recent exhibition at the Hugh Lane Gallery, Dublin, threw up myriad questions about history, art, and art history.

Brian Hand: Public Misrecognition: art and its audiences
That holy grail, the arts audience: how should we conceptualise it?

Annie Fletcher: Dislocutions: on cultural translation
Sarat Maharaj, a curator for Documenta XI, in conversation

Cornelia McCarthy: You shall have a fishy
The Big Fish finds a home by the Lagan

Marianne O'Kane: Private view: an insight into private patronage in Ireland
Who buys, and why?

Project
Peter Richards

 

Reviews
Auckland, Barcelona (James Coleman), Belfast, books, Cologne, Cork, Dublin I, Dublin II, Limerick, London, Northwest, Paris, San Francisco, Scotland

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