Regular Columns | 9
[scans Brian Kennedy
Visual Arts South | Aidan Dunne [scans]
Film and Television | Stephanie McBride [scans]
Slave to the Machine | Michael Cunningham [scans]


Update
[scans]


Feature articles | 16
[scans Niamh Ann Kelly
Researching the margins | Peter Haining [scans Outsider art in Ireland
Art you can cycle to | Brian Kennedy [scans The Sustrans initiative in Northern Ireland
The mirror in the art of the twentieth century | Soko Phay-Valkalis [scans How the use of the mirror reflects artists' changing attitudes to representation
Distorting (for) the truth | Rory Campbell [scans The caricatures of Peter Hanan
Artz 4 cripz: arts and disability | Dave Thomas [scans Looking for fair play for artists with disabilities
Transform / Function / Fusion: Derry Women's Centre | Declan Sheehan [scans A new women's centre had art planned in from the start
A new Model | Sheila Dickinson [scans The Model Arts Centre in Sligo has reopened - report?
MUHKA | Fiona Kearney [scans Antwerp's museum of contemporary art

Reviews
Belfast I | Aaron Kelly [scans URL: /backissues/c95/belfast1.shtml
Belfast II | Daniel Jewesbury [scans]
Midlands | Noelle Harrison [scans]
Northwest | Marianne O'Kane [scans]
Cork | Alannah Hopkin [scans URL: /backissues/c95/cork.shtml
Dublin I | Gemma Tipton [scans URL: /backissues/c95/dublin1.shtml
Dublin II | Peter FitzGerald [scans]
Limerick | Paul O'Reilly [scans URL: /backissues/c95/limerick.shtml
Scotland | John Beagles [scans URL: /backissues/c95/scotland.shtml
Sources in Irish Art | Niamh O'Sullivan [scans]

 

 

Issue 95: Spring 2001

Buy this issue [printed][PDF]

  Cover image: Moscow Joe McKinley: painted bowl, Sarah Durcan:New Work Paintings/Works on Paper, 2000, Javier de la Garza: fromVanitas Vanitae, cromogenic prints, Gary Coyle: Lovely Water No. 3, 2000




Back issues

Full list of back issues

Scans from this issue


Above are randomly selected pages from the issue; click here for full set of scans


© Copyright 1999-2012 Circa Art Magazineinfo@recirca.com
The contents of this site represent the views of the various authors and not necessarily those of the Board of Circa.